My Favorite Albums of 2013 (non-metal)

A few days ago I reviewed my favorite metal albums of the year. Today I'd like to discuss everything else that happened music-wise in 2013. Understand that 'metal' is a loose term; I mentioned everything from post-metal and hardcore to djent and progressive metal. The same can be said about today's list. Non-metal means indie, post-hardcore, post-rock, etc. 

But you don't need me to tell you that, you musical elitists. 

Behold, as I unveil my personal choices for my favorite non-metal albums of the great year that was 2013. Similar to my previous list, I will also be naming some honorable mentions and disappointments. If you like to make fun of things, then by all means - scroll to the bottom.

The rest of you, let's do this.

Oh, and if you missed it, this year's metal album list can be found here, and last year's list of non-metal can be found here.


Balance & Composure - The Things We Think We're Missing

I heard a lot of noise about this band in early spring of 2012, in the months leading up to my move to Seattle. When I transitioned to the Pacific Northwest, I was able to catch them open for Circa Survive, and contrary to things I had read online, they put on a great live show. As is common with music, I grew bored of them after several months as my musical interests gravitated towards other genres. Nevertheless, I was not ignorant of their impending 2013 release, The Things We Think We're Missing. I followed the updates and listened to their first single "Reflection", which garnered little interest in me. I realized I wasn't being fair and decided to give the whole album a go. I was able to stay in a cabin by myself (story can be found here) in early September, and I spent those few days absorbing every note on this album. It grew and grew on me. I still enjoy it to this day, even despite the fact that Jon Simmon's lyrics are among the most depressing I've read this year. Oh, and I'd also like to formally nominate this album for the Worst Cover Art of 2013. What even is that? It looks like an early Mudvayne album. Oh well.


Coheed & Cambria - The Afterman: Descension

This bevy of awards may not seem fair, considering the first half of this album came out in 2012 (and made my list). The fact is, I had also lost interest in this band, after loving them for YEARS. However, 2012's part one of The Afterman was so good that my C&C fanboy reawakened, leaving me eager for the second half. I could go on and on about how good this band is - the distinctive Geddy Lee-esque vocals, the ridiculous riffs, the epic sci-fi story, the comics, Claudio's hair, etc. The truth is, Coheed remains one of the most polarizing bands around. Either you're on board with them or you aren't, and most of my friends aren't. It's ok. I was lost once too. Descension details the main character Sirius Amory's return to his home planet, much to the disbelief of both his colleagues and his wife. It sounds silly, but the story is truly heartbreaking, and told in a fantastic manner. Of course, that's become the standard for Coheed - thrilling sci-fi narratives over impressive musical prowess. What's not to like?


Daughter - If You Leave

There's always one. In the realm of metal, it was Shai Hulud. On this list, it's Daughter. Why did no one tell me about them? This was one of the best parts of moving to Seattle - having friends that listened to good music. I quickly noticed the Daughter vinyls one of my roommates spun at night to put him to sleep. Once I had the band name, I went on the prowl. I quickly jumped on both of the two EPs, His Young Heart and The Wild Youth - just in time for the full length debut of If You Leave. It was a healthy overdose. The opening track "Winter" calmly sets the ambient and haunting tone of the album. The track is accurately named, as the whole album feels like one steady walk through a wintry landscape. I was privileged to see them last year. They're British, and singer Elena Tonra has a very quiet speaking voice. I couldn't understand/hear a word she said, but every syllable was met with eruptions of applause. Her fans do like her. And you should too, because they're wonderful.


Eisley - Currents
Rising Fawn - Everlasting Songs
Perma - Two of a Crime

I've had my rant (found here) about how unfair it is that families like the DuPrees are blessed with so much musical talent while many of us are left without the ability to tune a triangle. Well, 2013 was an outstanding year for the Tyler, Texas based family. I'm mainly speaking of the main project Eisley, and their album Currents, which was released in April of this year. I remember because I got the vinyl preorder as a present - one of the five or so I own. I'm not very hip. As was the intent, Currents has an aquatic feel to it. We get the usual featured vocals of Stacy and Sherri, switching back and forth regularly through the first four tracks - until track five. Here we get a first: a song fully written and performed by the third sister, Chauntelle. After hearing her featured for the first time, it makes me wonder why they don't let her lead more songs. It's no coincidence I loved her solo debut Everlasting Songs, a three-song EP under the moniker of Rising Fawn. I picked it up at the show earlier in the year. Perma is Sherri and Max Bemis' project and is mainly listed as an honorable mention. I didn't listen to it beyond the first single, which felt way too cutesy for me. If you're into that, then you'll love Two of a Crime.


Golden Youth - Quiet Frame, Wild Light

No, not Diamond Youth. No, not "Youth" by Citizen. Golden Youth is - in my opinion - 2013's best musical secret, similar to how I felt about the band Accents in 2012. It's the brainchild of two singer/songwriters Stephanie Lauren and Kyle Monroe. The pair combined to create one of the most calming musical offerings I've heard in a long while. Quiet Frame, Wild Light takes acoustic guitars, strings, hand claps, marimbas, and pianos, to combine them into a stripped down affair that leaves me feeling as if I'm sitting around a fire in a warm cabin as the snow quietly falls outside. It's one of my top three favorites of the year, regardless of genre/category. It soothed me to sleep more nights than Scale The Summit's The Migration did, as mentioned in my previous list. Pick it up, put headphones in, lean back into a comfortable armchair, and drift into bliss. Also, don't forget the hot chocolate.


Lights & Motion - Reanimation and Save Your Heart

Sometimes the best music can come from some dude by himself in his apartment, fiddling around with soundscapes and reverb. Examples that come to mind: Youth Lagoon, Eluvium, The Album Leaf, and Cloudkicker. Of course they don't live alone in apartments, but I digress. Comparable to these solitary pioneers, Lights & Motion is the sole musical project of Christoffer Franzen - the product of insomnia and being holed up in a studio in Sweden, according to wikipedia. The result is what is described as "cinematic post-rock" - and the title couldn't be more accurate. Both Reanimation and Save Your Heart follow the same beautiful formula - sweeping, epic crescendos that will leave one feeling as if you're walking into the climax every film ever. If you listen to either of these albums while going on a walk, I guarantee that you will come up with some new revelation in your life - that's how inspiring they are. In fact, if there's a knock I have with either of them - it's that they can be too intense. Almost every song is a dramatic buildup. If that's your life, then you've found your soundtrack. It's just amazing that they were both released in less than a year. 


Moving Mountains - Moving Mountains

The best bands are constantly evolving, pushing their musical boundaries to become better with each release. This transformation is usually accompanied by a shift in style. The same can be said for Moving Mountains, who released their eponymous album in September as a farewell. From the days of their ambient eight minute long songs of Pneuma and Foreword to the aggresive and catchy anthems of Waves, MM has decided to go out on a quiet, beautiful note. The album's nine tracks take on an almost subdued sound (with a few exceptions), as long-time fans will note the restraint in the vocals are a departure from the intensity of Waves. I absolutely fell in love with this album. It's definitely a different sound - maybe one that would have gotten old if it had been more of the same - but this is new territory for MM, and the sound I believe they always wanted to achieve. Moving Mountains is another of my top three favorites of the year. My only regret in life is that I was never able to see them. 


My Epic - Behold

I put the word "worship" in quotes because when people think of worship music, they may think  of Hillsong United or Chris Tomlin or something. You know, the same repetitive and formulaic song structures that plague all of contemporary Christian music today. My Epic is anything but this. While the lyrics are deeply spiritual and Christ-focused, you won't find anything trite or overused here. My Epic has consistently put out album after album of impressive musical display (reminiscent of latter As Cities Burn) and soul-crushingly honest lyrics. However, Behold takes a different approach - one perfected by the band's beautiful 2011 acoustic EP Broken Voice. Aaron Stone's lyrical content has slowly shifted from painfully honest confessions of personal imperfection to the more spiritual side. Behold is precisely that - the feeling of being overwhelmed in the presence of God. As a Christian, Stone's lyrics have had a profound effect on me, forcing me to revise my line of thinking in many ways. That's a hard thing to do in today's music world, let alone in Christian thought.


Search The City - Flight

I'm sure many bands could fill this particular category, but Search The City wins because of nostalgic reasons. Their 2008 album A Fire So Big The Heavens Can See It was fantastic, blending ridiculously catchy vocals and solid guitar riffs. The harmonies were brilliant, the riffs sounded like the guitarists' preferred metal to punk, and the choruses were massive. As with so many talented bands, their demise came too soon. And when last year I heard that they had found a new vocalist and were writing music again, my 2008 self was giddy. Search The City managed to do what few bands who lose their vocalist do: find a new vocalist who not only sounds exactly like the old one, but sings  even better. Put it all together and you get Flight - and album that's more pop than punk and still just as catchy as the band's 2008 debut. Remember earlier when I said a spent a few days alone in a cabin absorbing Balance & Composure's new album? This was the album I switched to when that one got old. It still hasn't gotten old.


Forest Swords - Engravings

I try my best to expand my musical horizons, but with all the crap that saturates every wave of whatever-core, it's hard to find stuff that stands out. Enter Forest Swords, the stage name of musician/producer Matthew Barnes' solo project. I found them through an obscure thread on absolutepunk.net, thinking that the name sounded cool. What I found was nothing that I had expected, which was a sort of lo-fi indie project. Instead, Forest Swords is listed as experimental, trip-hop, electronic, and dub. This combination equates to Engravings, an album that has been critically acclaimed by pretty much every music website and magazine. The songs are - pardon the expression - sensual in the way they put you in a trance with their atmospheric and oddly mystical vibes. The album was recorded outdoors, so that probably makes sense. I still have no idea what trip-hop is. If this is the music that all the kids are listening to while they take LSD, then I suppose that's cool with me.


The Appleseed Cast - Illumination Ritual

I think it's finally time to say that The Appleseed Cast is my favorite band ever. There's not a thing this band has done that I haven't loved. You have the ocean-themed and emo-tinged Mare Vitalis; the massive double experiment that is Low Level Owl Vol. 1 & 2; and the beautiful and nearly-without-vocals of Sagarmatha. Other than 2011's four-song EP Middle States, this band hasn't put out any music since 2009's aforementioned full-length Sagarmatha. I didn't know quite what to expect with Illumination Ritual, which is a good way to approach this band. What I got was an album that seemed raw - almost under-produced - with frantic-feeling drums and Christopher Crisci's trademark vocals buried beneath glittering guitars. I'll never be disappointed with this band. Illumination Ritual was my go-to album of 2013. I'd leave it in my car's CD player for days on end, not out of laziness but out of fondness. I still can't stop listening to it. I have the vinyl and it's the coolest looking thing ever. If you don't check out anything else on this list, check this band out. Please.


Lydia - Devil. People will probably never love this band as much as they did when they had the Illuminate lineup, and that's fair. But the truth is that this band broke up and nobody thought they'd come back. While nothing they do will ever be as good as Illuminate, it's better than no Lydia at all.

Unifier - Colorado. The band formerly known as Future Ghosts went through a whole lot of trouble to get a new name (there was already another Future Ghosts). Unifier wins in the end, as Colorado is a solid alternative/punk album by a band that should be big in the coming years.

Everything In Slow Motion - Phoenix. It's been a few years since Shane Oschner's band Hands ceased making music. I've had his new project on my watchlist for over a year, and we finally got Phoenix in December. That's pretty much the only reason it only gets a mention - I've barely had a month with it. But I loved Hands, and I've enjoyed what I've heard thus far.

Some Stranger - self titled EP. I wasn't really a fan of Daytrader, so I wasn't really affected by their break-up. I was affected by the former vocalist Tym's new project Some Stranger. While it was only a five-song EP, the energy and songwriting is there for a future that should prove bright for this new project.


Dustin Kensrue - The Blood & The Water. I've never not loved anything this man has done, but I just can't get into the former Thrice vocalist's new worship project. It's too dry, too generic - which is the last thing I expected from this man. Other than "It's Not Enough", there's not a hint of the brilliant lyrical/musical content from Thrice's heyday. That may have been the point, but it's too boring for me.

Night Verses - Lift Your Existence. This one has given me problems. Their EP was highly praised and Lift Your Existence was just as anticipated; the problems are just too numerous. The musical skill is brilliant - it just follows a very structured pattern and hardly ever ventures out of it. Not only that, but the album is too long - stretching to nearly seventy minutes in 15 tracks. That's too long for today's music fan - and that's coming from a Tool lover.

States - Paradigm. Has this band done anything good since their first EP? You'd think former members of Lydia and Copeland could do better than this. Their debut Room to Run rubbed me the wrong way, and Paradigm didn't do much for me either. The lyrics are awful and the execution poor. I don't get it because the talent and pedigree is there. Maybe it's just not for me.


Tides of Man - this post-hardcore titan lost it's vocalist and found a new identity in a different genre: post-rock. While a completely unexpected move, the band has already released a few tracks from their upcoming Young & Courageous, due out this year. I preordered the effort before I ever heard a note, and I'm glad I did, because the new stuff sounds stellar.

Closure in Moscow - times have changed since 2009, but First Temple was a phenomenal debut. It seems we've been waiting forever for the new album - Pink Lemonade - but 2014 is the year we're supposed to get it. Color me intrigued.

William Fitzsimmons - the quiet singer/songwriter already has a release date for Lions (February 18th), and has already released a new track called "Fortune", and you can check it out here. Needless to say, the world needs more of this man in 2014, and we're going to get it. Look for this to be on next year's list.


That will do it for my musical musings of 2013. I know it's already two weeks into the new year, but reason demands that I force my opinions on the masses no matter the circumstances or calendar date. You're  lucky, because you can expect me to do it once a year until I can pay someone else to. Which I will never be able to do. So you're still lucky.

But seriously, listen to at least one of these albums. Maybe things I found disappointing were enjoyable to you. Maybe my favorite album is on your "Do Not Ever Listen To" list, which is very likely. Maybe you found out that so-and-so is coming out with new music. And that's what I do it for.

Also the money. But no one is paying, so I guess I do it for you.

Happy listening,


PS here's a bonus. My favorite music video of the year goes to the band On and On, with the video for their single "The Hunter". Watch it below.


My Favorite Metal Albums of 2013

To celebrate the end of 2013, I'll not be posting some heavy-handed reflection that I gained from looking back over the past year. That's for people who lack ideas. I almost always lack ideas when it comes to blogging, but since another year has come and gone, I can inflict my unfounded opinions on the world again by listing my favorite music of the year.

Last year I did this as well, and just like last year I'll be posting two separate lists differentiated by genre - as in metal (and any sort of hard music) and everything else. I decided to go the boring route last year and simply list my favorite releases in groups of ten for each genre, resulting in a mere twenty albums. You can find my list of last year's metal albums here. This year, I'd like to try something different.

Instead of posting a bland list of ten items, every album will be listed under a category, i.e. "favorite artwork", "silliest song titles", etc. This allows for way more creativity and variety, with no set order or numeric limitations. I'll also list some albums that were disappointments, because focusing on the negative is always funny. Basically, I'm excited about a concept that celebrates the more mundane things because it's less work and more fun. That's what blogging is about, right? 

Anyways, let there be no more fanfare. Just bear in mind that I don't review anything for a living (only fun) and that my opinion is strictly unprofessional, unless you want to pay me.



August Burns Red - Rescue & Restore

I've been all about this band since the release of their 2005 debut, Thrill Seeker. Their technicality only got tighter and their breakdowns more brutal and numerous on their follow-up, Messengers. Riding (and in some ways, leading) the wave of metalcore bands that thrived in the first decade of the new millennium, ABR continued to push the envelope in terms of musical creativity in their later releases, eventually leading to Rescue & Restore - their fifth album. I've seen this band three times (though not since 2009) and they draw massive crowds, for good reason. I think they realize metalcore mostly died out a while ago and thus they continue to offer a refreshing take on the genre while remaining true to their roots. I believe this is their most impressive album to date, mostly due to the fact that the growth from their fourth album Leveler to this album is greater in terms of skill and execution than any of their earlier albums. The fact that I love this band as much as I did when I was 17 says something, no? And that was 8 years ago.


Counterparts - The Difference Between Hell & Home

Joining/starting a band is a tricky affair. You get together with a handful of other musically-minded individuals - each with their own musical ideas, preferences, and notions - and try to create something worth listening to and performing live. Oh, and everyone involved has to like it. There's always one guy that pretends to like it (I know because sometimes that guy was me). Anyways, I spent much of the first half of this year attempting to do just that with several of my roommates. We opted for the melodic hardcore approach, a genre with which I had little experience with playing and listening to. I was immediately told to listen to Counterparts, who had an album coming out soon. I picked up the album and liked what I heard. The Difference Between Hell & Home demonstrates exactly the style we were going for - hardcore with melodic undertones that embraces breakdowns and buildups liberally. Beautiful, brutal, and not overwhelmingly technical. That's what you'll get from this album. Also, don't read the lyrics to this album or you'll get depressed. Seriously, these dudes must hate life. 


Erra - Augment

In 2012, I discovered "djent", the infamous sub genre of metal characterized by the sound made by down-tuning a seven or eight string guitar and palm-muting and releasing quick staccato notes, usually in a series of oddly timed polyryhthms, creating some rather heavy grooves. These chugging riffs are often accompanied by light and airy guitar notes, creating an interesting juxtaposition. Sounds smart huh? The point is that the guitar tone makes a "djent" sound, giving the genre its name. The argument over whether or not djent is a real genre or rather a guitar sound has been beat to death, so I'll just avoid it by posting this link to a video of a bunch of djent bands. Erra's debut album Impulse was one of the first three albums I picked up. It interested me because it wasn't one of the slow and plodding djent bands like Meshuggah or Vildjharta, but it sported progressive metalcore elements and impressive clean vocals. That combination is a winner in my book, although on Augment I haven't the slightest idea of what any of the lyrics mean, which is a common theme amongst the genre. 

If you're still confused about djent, here's a dude playing a djent cover of a Taylor Swift song:


Northlane - Singularity

Keeping within the realm of djent, Northlane followed Erra, Elitist, and Tesseract as being among the first bands in the genre that I became fond of. Their debut album Discoveries ended up being one of my early favorites as I broke into the world of djent. I read a review of Discoveries on the now defunct website thenewreview.net (RIP). In it, the author stated that vocalist Adrian Fitipalde's screams reminded him of a higher-pitched Micah Kenard. That was pretty much all it took for me to listen to them. Northlane is more of a progressive metalcore band than they are djent (much like Erra), but their guitar tones are consistent with the genre's standards. However, I find them to be slightly heavier and less technical than Erra, relying less on clean vocals. Singularity opens with a short intro track, then blasts into "Scarab", a frantic opener that hits you in the face with its heaviness. It's pretty much my favorite thing to come out of the outback this year. I expect this band to be huge in the coming years, if they aren't already.


Palms - Palms

A superband is a band that is comprised of members from several different bands that have experienced prior success, i.e. Velvet Revolver, A Perfect Circle, and Audioslave. Palms features Chino Moreno of Deftones fame on vocals, backed by three former members of the post-metal band Isis - Jeff Caxide (bass), Aaron Harris (guitars), and Bryant Clifford Meyer (guitars). I've thought for years that Chino has one of the best voices in hard music, regardless of genre - and his band has been doing it for a long time. Isis broke up in 2010, but three fifths of the members decided they still wanted to make music. The result of this experiment is pretty much exactly what you'd expect it to sound like - Chino's haunting vocals and grating screams set against the atmospheric sounds of Isis, glittering soundscapes and crushing guitars included - and it's awesome. Since hearing about this project almost two years ago, I've been patiently waiting for this album to come out. The wait was worth it. If you're a fan of Deftones, Isis, or hard music in general, this shouldn't disappoint you.


Scale The Summit - The Migration

Instrumental music is important to me. I can't focus on tasks while listening to music with vocals. Mundane activities such as driving, reading, studying, sleeping, and even writing this post are helped along by listening to music without vocals. Scale The Summit's The Migration is my favorite instrumental album this year that falls under any category of metal, by far - as they are described as a progressive and experimental metal band. I loved their 2011 album The Collective, and much like that album, I've written many posts and fallen asleep several nights to The Migration. Plus, the album art is super cool. The Migration clicked with me because of its ability to be technical and beautiful without ten layers of instruments and the obligatory silly solos accompanying any prog rock band. There is simplicity in the songwriting here that calms me, even beneath the impressive demonstration of musical skill. "The Olive Tree" is one of my favorite songs of the year. I fell asleep to that song more times than I can count. And yes, that's an accomplishment, considering this is a progressive metal band. 


Shai Hulud - Reach Beyond The Sun

Shai Hulud. A name to be respected in the hardcore and metal scene. The band's been around for almost twenty years, going through over thirty members, influencing countless bands in each genre, as well as those outside of it. Despite this, they've only released four full-length albums. And I just got around to listening to them. When my roommates told me to listen to Counterparts to get a feel for the type of sound they wanted for our band, they also mentioned that I should check out Shai Hulud, as they had an album coming out as well. Reach Beyond The Sun is one of the most impressive albums I've listened to this year, by a band that's been doing it forever. The hardcore elements are there, as well as the complex guitar playing of Matt Fox, who is the only original remaining member of the band. If I was better at guitar, I suspect my songs would sound like Shai Hulud. I could also list them under a bunch of other categories. Best band name - they're named after the sandworms in the science fiction novel Dune. That's the most metal thing ever. They have the smartest lyrics out of all of the bands in this post. Also, they probably have the worst album art. That's ok. Any band that's been around for as long as these guys can do whatever they want, and they'd still slay at whatever it is.


Within The Ruins - Elite

Dat album art. Dat band name font. This band represents everything my friends/roommates dislike about my taste in heavier music. None of them particularly enjoy metal, especially not the death/metalcore brand of music these guys put out. I don't care. Sometimes a man has to listen to death metal, sprinkled with elements of deathcore and prog rock alike, while the vocalists bellows at you about how elite their band is. It's a primal longing. I went to see The Contortionist earlier this year and Within The Ruins headlined. I had only just started listening to them, but they blew away The Contortionist, and solidified my fanhood that day. Also, I purchased my very first pair of fight shorts:

Except mine are WAY cooler. This is the most basic design ever. Any band that makes shorts for you to wear while you punch out all the smaller kids in the pit is pretty metal in my book.


Misery Signals - Absent Light

This is my favorite metal album of 2013, and it's not really close. I've been waiting for Absent Light for five years. Prior to this release, 2008 was the last time any new music came out of the Misery Signals camp. I had just transferred to Abilene Christian University, Obama was elected, and the Bengals went 4-11-1. Different times. The release of Absent Light was accompanied by a US tour, which just so happened to stop in Seattle in August (read about that concert here). While Counterparts' album influenced my playing style this year in the formation of my band, Misery Signals has influenced my guitar writing more than any other band since I picked up the instrument all those years ago. To me, this band has always been the perfect balance between beautiful and heavy, melodic and brutal. And they put on a heck of a show. I got kicked in the forehead when I saw them, and it was awesome. Listen to this album now.


Impending Doom - Death Will Reign. Deathcore might be a silly genre (especially if the band is Christian, like IP), but I think it's fun. Crushingly heavy and unforgiving. Perfect for driving!

Revocation - Revocation. I just started listening to this band within the past month to cure a death metal itch I'd been having (it's a serious problem). Had I found them earlier they would have made the list.

Still Remains - Ceasing To Breathe. Only because it's awesome that a band I listened to in high school put out an album after not doing so since 2007. It's not that good, but the teenager in me likes it.


Born of Osiris - Tomorrow We Die Alive. Don't get me started. Far and away the biggest disappointment of the year. They fired guitarist Jason Richardson, and it shows. The complex leads and riffs have been almost completely replaced by repetitive chugs and overbearing synths. I would skip this one, as it's a shame it followed an album as good as The Discovery.

The Safety Fire - Mouth of Swords. This band made my best-of list last year with their debut Grind The Ocean. However, their sophomore effort didn't grip me as much. There are too many clean vocals and not enough crushing riffs. However, I saw them with BTBAM and they do put on a great show.

Oh, Sleeper - The Titan EP. Ok, it's not that it was BAD, it's just that it was different. There was a random guest solo on "Death From Above" by Falling in Reverse guitarist Jacky Vincent that felt super out of place, not to mention the guest vocals of former Periphery vocalist Casey Sabol on "The Pitch". The production seems raw because it was independently released/recorded. Decent, but nothing great.


Darkest Hour - I haven't been high on them since 2007's Deliver Us. I've been craving some melodic death metal, and these guys will hopefully bring it on their as of yet untitled album coming out in 2014.

Zao - this band is legendary, but I never really got excited about their past two albums. I didn't even know they were still making music. Their Facebook updates say otherwise, meaning new Zao in 2014, which we haven't been able to say since 2009.

Tool - self explanatory. Figured I'd put this here because I've been waiting every year since 2006. That was the year I graduated high school, to put things in perspective.


There you have it. Some ups, some downs, some exciting things, some not-so-exciting things. I ended last year's post by stating that I hoped 2013 had some good heavy music to offer, and it did. Hopefully I helped someone out there discover some new music. That's why I do it!

I'll be posting my list of non-metal albums later this week. Stay tuned!